A smoother Cobain? A gruff Bono? In his new Album Aurora, New York based Maxwell Demon efficiently traverses multiple vocal and musical landscapes in a lazy, laidback style which really he has so wonderfully made his own. The album opens with a mellow yet slightly upbeat Cross and then moves on to the really mellow track with a very addictive rhythm called Laidback followed by a slightly peppy Ballroom which then gives way to a delightful Interlude. After this the album adopts a borderline psychedelic groove with Deep Mass and Castles before it moves on to the wonderfully melodious, poetic and my favourite track on this album called Mirrorhouse. It finishes with Marilyn, which is very hazy, very doped out and slightly angry. Marilyn leads well into the first track Cross, thus giving a sort of cyclic mood to proceedings, somewhat reminiscent of the ways of Greek theatre. Whether the titular reference is astronomical, mythological or one of popular fiction, is a question only Herr Maxwell can answer, but for me this little gem of an album is that bright light for Maxwell which should hopefully propel him to the greater things that he seems to be so capable of. Without further ado, here are my top picks from the album:
If you like what you hear, the whole album can be streamed at soundcloud: https://soundcloud.com/#maxwelldemon/sets/aurora.
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Published by Karan Khurana
Karan Khurana
Karan Khurana ( Born in 1982, Mumbai, India) makes photos and mixed media artworks. By using popular themes such as pointlessness, old monuments and nightlife, Khurana creates intense personal moments by means of rules and omissions, acceptance and refusal, luring the viewer round and round in circles.
His photos don’t reference recognisable form. The results are deconstructed to the extent that meaning is shifted and possible interpretation becomes multifaceted. By applying abstraction, he touches various overlapping themes and strategies. Several reoccurring subject matter can be recognised, such as the relation with popular culture and media, working with repetition, provocation and the investigation of the process of expectations.
His works are saturated with obviousness, mental inertia, clichés and bad jokes. They question the coerciveness that is derived from the more profound meaning and the superficial aesthetic appearance of an image. By parodying mass media by exaggerating certain formal aspects inherent to our contemporary society, he makes works that can be seen as self-portraits. Sometimes they appear idiosyncratic and quirky, at other times, they seem typical by-products of consumer-oriented superabundance and marketing.
His works often refer to pop and mass culture. Using written and drawn symbols, a world where light-heartedness rules and where rules are undermined is created.
Karan Khurana currently lives and works in Berlin, Germany!
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