After a while, you feel the need to get back to basics, i.e. crisp sounding instruments, perfectly suited vocals, catchy tunes and relatable lyrics. Andrew James and The Steady Tiger, an indie-folk-acoustic band from Cape Town South Africa, offer just that at a production quality which is so high, that it might adversely impact their touring prospects. They have an album out and it is awesomely titled: ‘Red in Tooth and Claw’
A bit about the band: This is a collaboration between Andrew James (guitar & vocals)and James Van Minnen “The Steady Tiger ” (drums & percussion). It was recorded during 2011 in the Knysna forest on the south coast of South Africa. Their bandcamp page also says: As far as possible, we set out to capture the integrity of our live sound; the elusive dialogue between two musicians in a room
While these are the main guys, there are more members who add certain vital inputs to their music and the details for the same can be viewed here. For me, the sound is blend of what you would get if John Butler Trio and Newton Faulkner played together. Now the music:
If you like what you hear, don’t forget to check out/purchase their work at bandcamp and view their website. You can also follow them on facebook or soundcloud (with a name like that they should be , if nothing else, easy to find)
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Published by Karan Khurana
Karan Khurana
Karan Khurana ( Born in 1982, Mumbai, India) makes photos and mixed media artworks. By using popular themes such as pointlessness, old monuments and nightlife, Khurana creates intense personal moments by means of rules and omissions, acceptance and refusal, luring the viewer round and round in circles.
His photos don’t reference recognisable form. The results are deconstructed to the extent that meaning is shifted and possible interpretation becomes multifaceted. By applying abstraction, he touches various overlapping themes and strategies. Several reoccurring subject matter can be recognised, such as the relation with popular culture and media, working with repetition, provocation and the investigation of the process of expectations.
His works are saturated with obviousness, mental inertia, clichés and bad jokes. They question the coerciveness that is derived from the more profound meaning and the superficial aesthetic appearance of an image. By parodying mass media by exaggerating certain formal aspects inherent to our contemporary society, he makes works that can be seen as self-portraits. Sometimes they appear idiosyncratic and quirky, at other times, they seem typical by-products of consumer-oriented superabundance and marketing.
His works often refer to pop and mass culture. Using written and drawn symbols, a world where light-heartedness rules and where rules are undermined is created.
Karan Khurana currently lives and works in Berlin, Germany!
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