An obscure, nondescript piece of cinema (liberal usage of the word), causes people (who have no connection to that movie) to lose their lives. Today appropriate depiction has more value than human life! In the name of the Lord we kill and then ironically enough aspire to go to heaven! We follow some general guidelines as strict religious doctrines and forget why those guidelines were framed in the first place : SO THAT WE CAN BE GOOD HUMANS! Apparently, having abundant facial hair is the only true path to Nirvana!
I dedicate this song, by Scottish musician Clyde Fury ( actual name: Martin McCluskey), to all the dimwitted disaster causing nincompoops who are so quick to react without any thought, that they were probably products of premature ejaculation. As for the song, it is beautiful, lyrical and was not written for this situation in particular, but I felt it fits the scenario somewhat. Martin’s vocals are smoky, husky and sometimes remind me of David Bowie and sometimes of an older Roger Waters (Amused to Death anyone?). His style of music is folksy-bluesy-psychadelic and have a listen to one such track yourself:
If you like the song, visit his soundcloud page , give a few likes, spread the word and enjoy the free downloads (large file sizes though).
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Published by Karan Khurana
Karan Khurana
Karan Khurana ( Born in 1982, Mumbai, India) makes photos and mixed media artworks. By using popular themes such as pointlessness, old monuments and nightlife, Khurana creates intense personal moments by means of rules and omissions, acceptance and refusal, luring the viewer round and round in circles.
His photos don’t reference recognisable form. The results are deconstructed to the extent that meaning is shifted and possible interpretation becomes multifaceted. By applying abstraction, he touches various overlapping themes and strategies. Several reoccurring subject matter can be recognised, such as the relation with popular culture and media, working with repetition, provocation and the investigation of the process of expectations.
His works are saturated with obviousness, mental inertia, clichés and bad jokes. They question the coerciveness that is derived from the more profound meaning and the superficial aesthetic appearance of an image. By parodying mass media by exaggerating certain formal aspects inherent to our contemporary society, he makes works that can be seen as self-portraits. Sometimes they appear idiosyncratic and quirky, at other times, they seem typical by-products of consumer-oriented superabundance and marketing.
His works often refer to pop and mass culture. Using written and drawn symbols, a world where light-heartedness rules and where rules are undermined is created.
Karan Khurana currently lives and works in Berlin, Germany!
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